The New Star Wars Trilogy Defense!

At first, I thought I’d write about an interesting concept in popular cinema. There was an article floating around the internet about research done on the top grossing films of the last thirty years. The one thing all of these films had in common was the length of each shot. I was going to analyze this further until I realized that most people probably don’t give a crap. Maybe I’ll talk about it at some point in the future… when I fully understand the concept, but for now let’s talk about Star Wars.

Star Wars is, beyond the shadow of a doubt, the most successful movie franchise in history. Six films in the list of 100 highest grossing films of all time, a successful line of action figures, LEGO toys, Mark Ecko t-shirts, lunch boxes and anything else you can think of, is just a small sample of the series’ popularity. The dialogue and imagery has permeated the very fabric of American culture. Yet, with all of this, I find it hard to believe that so many people find the new trilogy (Episodes 1-3) so unwatchable. I’d like to take a moment to not only compare the two trilogies, but to also defend what could be the final installments to the storied franchise.

One of the first arguments made about the new films was the absolutely terribly acting. I will be the first to admit that this was not Hayden Christensen’s, Natalie Portman’s, Ewan McGregor’s, or anyone else’s shining performance. However, to say that this is a reason to hate the films, or even to dislike the films, is absolutely unwarranted. Most of us viewed the Star Wars films as young children. The flashy laser lights and flying triangles are what kept our eye holes glued to the screen. It wasn’t the performance of Carrie Fisher, Mark Hamill or Harrison Ford that kept us watching. Out of the entire cast, Harrison Ford was the only one to make a star-studded career for himself. Even then it wasn’t the acting that carried the Indiana Jones films. If you can, re-watch the first twenty minutes of the original Star Wars film. If you honestly can say that the acting was better than that of any of the new films, you are probably quite the dramaturge.

The second common argument is that the film is overdone with special effects. This is another argument that I can’t wrap my brain around. The original trilogy was built on groundbreaking green screen and stop motion techniques. Puppetry was taken to new levels and set design was unparalleled for its time. The new trilogy is no different. C.G.I. (Computer Generated Images) became the norm in cinema just after Episode 1. The reason for this is because ILM (Industrial Light and Magic), the special effects company created by George Lucas, went through a pain staking process that would create a method usable over the entire film medium, not just George’s pet projects. Films such as Spiderman 2 and Iron Man relied heavily on ILM to produce the special effects that made those movies great. In the same form, those effects made the Pod Race scene one of the more memorable adventure moments in the trilogy.

The third and final argument I will tackle is the writing… actually, I don’t know if I’ll tackle this one. To be honest, the writing for these films is not all that great. The lines from the original trilogy that we remember most came from The Empire Strikes Back. That’s a story conceived by George Lucas but executed perfectly by screenwriters Leigh Brackett and Lawrence Kasdan. When we think of Lando Calrissian, we can safely know that Lucas did not come up with the dialogue that made him the pimp of the galaxy. Imagining what Lucas’ dialogue would have been like is a painful thought. The original Star Wars film, written by George Lucas, had the adventure but lacked the raw emotion that completed the initial trilogy. So if you were looking for the dramatic explosion seen in the second and third film, you were definitely disappointed by the wooden dialogue spewed out by Natalie and Hayden. However, Lucas did a phenomenal job weaving an adventure that bridges the gaps between the fantasy history.

So, with this rant over, we’ve learned that I’m a Star Wars nut. We’ve also learned that expectations can sometimes be our worst enemy. Going into a film and expecting something other than a good time is usually a recipe for disaster. I suggest you try to re-watch the later trilogy with an open mind. I’m not saying you’ll find it to be a hidden treasure, but maybe you’ll see something you like.

Blog returns!!! Oscar Talk and My Love/Hate Relationship with It!

My blog has returned!!!

Thanks to the wonderful, talented and beautiful Jen Gallardo, I am now able to post freely without worrying about blogger doing weird things or without having to worry about whether or not things actually post… hopefully.

Its been quite sometime since my last blog post (September 8th, 2009 to be exact) and a lot has happened in the world. While I’m sure all of those things are interesting, I’ve chosen to discuss something that really doesn’t pertain to anything that truly matters. I’m talking about the Oscars. As a jaded film student, I constantly hated watching the uber-rich and uber-famous Hollywood blobs parade their accomplishments in front of each other. To be perfectly honest, I still do. The only thing that has changed is that I may have finally figured out the value of such a show. Now, saying that I’ve figured out this value actually says that I stopped stomping my feet around the apartment protesting why some awesome micro low budget film didn’t get nominated for best picture and actually paid attention to what the potential of the show could be. I’m sure this year’s parade will feature smurf-like aliens carrying James Cameron to the alter of gluttony so that he can ramble on about how appreciative he is of being the Zeus of modern day Hollywood. As he should. Avatar is a major cinematic accomplishment. Spielberg himself likened it to watching the original Star Wars. While I wouldn’t give it that much praise, Avatar was a fun experience that reminds us why we go to movies.

We go to not care.

Cinema has always been the “Everyday American’s” way of escaping whatever stress is cutting years off of their lives. Over the past several years, we’ve been blasted with messages of how our government in inept, people are inherently evil or how some action film compares to its comic book counterpart. Avatar did away with all of this. We just sit back and watch stuff blow up. Obviously, there is a message of environmentalism and imperial entitlement sprinkled into the story. However, this message does not weigh down the experience of watching the film. Everyday we are blasted with images of governmental failures and natural disasters. We don’t need another blasting in our theaters. Should we feel the need, there are plenty of alternatives out there.

Getting back to the Oscars… one of the realizations that I’ve come to is that this show provides films with what they need, a firm push in the face of the public. It is easy to forget how many films go unnoticed. I’m a filmmaker, its my duty to keep up on these things. However, the school teacher with three kids doesn’t have to the time to scour the internet for a 15 year old’s review of Hurt Locker. They have to rely on such blubbering parades as the Oscars to let them know what they might not have seen. What films trailers they might have missed outside of commercials during Monday Night Football or the Simpsons. This is why I’m in firm support of the inclusion of ten pictures for the Best Picture Category. While I may not fully agree with the selection, each of these films garners a different demographic. By bringing them all together, you expose new things to new people. The audience that watched A Serious Man may not have given District 9 a chance.

This sort of things breaks the exclusivity of the award and actually gives it a modern purpose. It is a new tool for advertising and as we all know advertising is all that really matters in the end. :)